1910 Floral Postcard from St. Lawrence, South Dakota

Some postcards feel like tiny doors into another time, and this one from 1910 St. Lawrence, South Dakota is one of them. It’s just a small piece of card sent over a century ago, but it holds a quiet moment between two people trying to stay in touch. In this post, we’ll look at the scene it came from, the floral artwork and blessing on the front, the divided back design, and the short note that still feels personal today.

A Glimpse into 1910 South Dakota

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In 1910 South Dakota, a postcard and a few lines of ink were often all you had to keep in touch. This card sits in that specific slice of history where a simple card had to travel on its own, carrying just a few words and a name. More than a century later, it’s still doing that job, holding onto an ordinary moment and letting us see it exactly as someone sent it. If pieces like this interest you, you’ll find more early 1900s examples in the vintage postcards section of Stereoview Vault.

Floral Beauty: White Lilies and a Blessing

The front of the card is straightforward. There’s a bouquet of white lilies and the printed message, “May thy path be ever blessed.” That single line sets the tone for the whole card and pairs with the lilies to create the gentle, hopeful feeling you see a lot in floral art from this period. The image and that short blessing are doing most of the work here, giving us both the visual focus and the sentiment the sender wanted to share.

Divided Back Design: How People Wrote in 1907–1915

The layout of the card tells its own story. This is a divided back postcard, meaning the back is split so the address goes on one side and a short note on the other. That style was popular from 1907 to 1915 and shaped how people wrote, forcing them to keep things brief. When you see divided back postcards like this, you’re looking at a specific way people communicated in that era, where a quick message and an address had to share a small space. That same period of communication also shows up in other paper ephemera, like the pieces gathered under vintage print media.

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Bertha and Edu: A Personal Plea for a Letter

The real story is on the back. There, everything narrows down to two names: Bertha and Edu. The card is addressed to Miss Bertha Krueger, and the message is basically a request for a letter.

Edu Schmid writes, “Why don't you write me, Bertha?” That’s it. Short, a little bare, and that’s why it hits. In the world of vintage correspondence, this postcard is less about the floral scene on the front and more about that small, direct plea from Edu to Bertha. For more small, personal moments like this preserved on paper, the Stereoview Vault on eBay is full of similar vintage and antique ephemera.

Reflecting on the Simple Joys of Communication

This card is a good example of how much can be said with very little, and how a short message on a small card can still feel complete. With vintage postcards, you’re holding a fragment of how people used to communicate, when every word had to be chosen carefully because there wasn’t much room. That same feeling of holding a piece of someone’s past also comes through in old images, like the ones collected under vintage photographs.

Looking at this 1910 floral postcard, you can almost feel the gap between Edu and Bertha and the hope packed into that one line. It’s just one message from St. Lawrence, but it stands in for a lot of quiet exchanges that used to travel through the mail.