Inside a 1914 Easter Postcard to Wessington, SD

This little 1914 Easter postcard to Wessington, South Dakota doesn’t look like much at first glance, but it’s one of those pieces that quietly pulls you in. The colors are still surprisingly bright, the scene is calm, and before you even flip it over, it already feels like a tiny time capsule from a very specific place and moment. In this post, I’m going to walk through it with you, starting with the artwork on the front, then the short handwritten note on the back, and finally what it hints at about how people stayed connected around Easter more than a hundred years ago.

Key Takeaways

The 1914 Easter postcard features bright colors and a calm rural scene, encapsulating a specific moment in time from a small town in South Dakota.
Addressed to "Miss Bertha Nuabore," the postcard serves as a personal connection, reflecting how people communicated during Easter over a century ago.
The design of the postcard, shaped like an egg, combines religious imagery with spring themes, highlighting the significance of faith and nature in Easter celebrations.

Opening a 1914 Easter Postcard from Wessington, South Dakota

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When I pull an old postcard out of a stack, the first thing I usually notice is the overall feel. With this one, it’s the bright Easter colors and the date: 1914. It really does feel like holding a small piece of that exact spring in my hand.

On the back, it’s addressed to “Miss Bertha Nuabore” in Wessington, South Dakota. That one line drops us into a very specific scene: Easter 1914, a small town, one person waiting on the mail.

Even before I read anything, the card feels quiet and calm. It doesn’t try to be dramatic. It just offers a small moment of peace, like it’s been sitting there for over a century waiting for someone new to look at it. As a 1914 Easter postcard, a true vintage Easter card from the 1910s, this Wessington, South Dakota postcard fits right in with other vintage postcards and early 20th century ephemera that capture these small, specific slices of everyday life.

Seeing the Rural Easter Scene Framed Inside an Egg

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The whole design of this egg-shaped Easter postcard is built around that single shape. Inside the egg, there’s a quiet rural scene, and your eye goes straight there first. It feels like the egg is holding its own little world.

Around the egg, there are colorful flowers, so the edges don’t feel empty. The flowers frame the rural Easter scene and keep you focused on what’s happening inside the egg while still making it clear this is all about spring. There’s also a cross nestled in with the flowers and the egg, bringing in the religious side of the holiday. Together, it’s a piece of vintage religious Easter imagery that pulls faith, nature, and the season into one simple, well-balanced image.

Meeting Miss Bertha Nuabore Through a Simple Easter Message

Turn the card over, and that broad Easter scene suddenly narrows down to one person: “Miss Bertha Nuabore.” That alone shifts it from a general early 20th century Easter greeting into something personal. It’s meant for Bertha, wherever she was in Wessington, and whoever she was to the sender.

The handwritten postcard note from 1914 is tiny, but it says what it needs to say. The line that really stands out is: “We are all well, but P had a bad cold.” That’s the heart of the message. No long story, no extra details, just a quick check-in on health and how everyone’s doing.

Because it’s so brief, it feels very real and direct. The sender doesn’t explain who “P” is or how bad the cold was. Bertha’s reply, if there was one, isn’t here. All we get is her full name and that one line about everyone being well except for P. Still, that’s enough to give us a clear little window into how people checked on each other’s lives and health through a handwritten postcard note in 1914. It’s the same kind of everyday intimacy that runs through so many pieces of vintage print media and old correspondence.

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Feeling the Warmth of Early 20th Century Easter Connections

For something as small and simple as a postcard, this one feels surprisingly tender. In just a few lines, it shows how people made the effort to stay in touch, especially around Easter, when a short note about health and well-being paired with seasonal imagery could close the distance a little. The mix of an Easter postcard, a brief message, and the act of sending it really does speak to the warmth of personal connections, and how much meaning people could fit into a small, everyday exchange. It’s the same quiet, human thread that runs through other early 1900s cards and vintage photographs, all carrying these small, specific stories forward.

Closing

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When you put the image and the message together, this 1914 Easter postcard becomes more than just a pretty piece of mail. It’s a snapshot of how faith, springtime, and simple check-ins about health and well-being all lived side by side. A few words on a small card were enough to carry warmth across miles, especially on a holiday like Easter. That’s what I love about it: one small, careful design, one brief note, and suddenly we’re a little closer to their world in Wessington, South Dakota.